"Argyll and plaid must not be layered!" ~ Kirsten
In half-tones, I started telling Catherine about my current read - Mordecai Richler's Cocksure (a pick prompted by Chris saying he was surprised I didn't recognise the author name, and then seeing the name at the library), but soon gave up. For one, Remedy was as bustling and noisy as usual, and for another, I couldn't stop laughing. Strange looks be damned, I continued in full voice about a warped post-sexual revolution world where a thirteen-year old girl had "come home with a scarlet T for “tease” painted on her bosom". About the main character who has so many
prophylactics that they spill out of his closet. Why is this? Because the guys at the pub believe in him! And it would simply be impossible to refuse the unrequested, unrequired, pharmacist's hand-delivered packages at the pub. Ah, one's (sexual) image needs such up-kept.
prophylactics that they spill out of his closet. Why is this? Because the guys at the pub believe in him! And it would simply be impossible to refuse the unrequested, unrequired, pharmacist's hand-delivered packages at the pub. Ah, one's (sexual) image needs such up-kept.
After dinner (though tempted, we didn't get cake), we picked up Kirsten, and with bag full of gummy candies head off to our destination: Uke Fest 2008 at Likwid Lounge!
"Is she on pot?" ~ Kirsten, about Jill
The ceiling had a painted night sky. There was a balcony filled with plants. We skimmed through tight spaces and sat down at the table Will had saved for us. We talked, had drinks, and before we knew it, the first act started... sort of... maybe. I guess I shouldn't have been suprised with the amplified scratching and squeaks that competed with people's conversations. Even as he sat on the stage, hunched over a ukelele, his back to the audience, I still recognised him from Red Strap Market, showing off his works (that seemed to match the music). After another 10 minutes, he left the stage. Confused looks all around, when finally someone else came on the stage to make introductions for the event and Ukuleles for Peace.
One performer stepped up and called attention to the day September 11. One of her songs was inspired by the event... or more so, a
person who had survived: "Family thinks I died and I decided to start a new life... I feel guilty because it was so easy."
"It has a uke solo and I'm so excited since I don't usually play for humans." ~ Jill Pollock
More performances, and it was getting late. I was getting a little restless. We had come for Doug Hoyer and the Be Arthurs, but then Jill Pollock, a babydoll in a touque, with her box named Clarissa and ukulele named Ethel, took the stage, and won me over almost instantly.
Jill: Uke Solo! *plink*
She wasn't deep, but she was so much fun! She sang about the intensity (and fickleness) of teenage love, that if she were marijuana she would be free... and doing all that by cramming an incredible number of words and syllables into a bar of music. It made me forget the hour.
Finally, Doug takes the stage! There was clapping, many pictures, and a little bit of swooning (and not just from moi). Perhaps...
perhaps... this tidbit from See Magazine's preview and interview with the Be Arthurs is true? "The Ukulele is the little guitar that will most certainly get you laid." These ladies, however, are not commenting.








