"Don't get envious, get your own life."
~ Lucy, from Susan Shapiro Barash's Tripping the Prom Queen: The Truth about Women and Rivalry
I had felt a little threatened. Here were a bunch of young, thin, pretty, and talented girls... and I was to compete with them to get a spot as a teaching assistant. I didn't deny that we were in competition, but I had fallen into one of the many traps outlined in _Tripping the Prom Queen_ - I was being competitive about things that had nothing to do with the thing that mattered - the ability to dance.
It seems almost shameful to admit to feelings of envy (the book defines it different from jealousy, in fact to say jealousy is being worse because it includes wanting to take the item of envy or do ill to another). The book has opened my eyes to what I had felt, when I had believed (consciously and unconscioulsy) three myths of female solidarity, as outlined by Barash:
1. The Mommy Mystique - Belief and expectation that girlfriends can provide unconditional love and support, rather than realistic "adult relationships" where there are "legitimate expressions of rivalry, competition, and difference."
2. The Twinning Syndrome - Expectation that girfriends live similar lives and make similar choices. And when "one woman changes her life path, overcomes a long-standing obstacle, or acheives a new goal... [the other] feels abandonned," or "deceived".
3. Foul-Weather Friends - Based on "the old cliche...: "Men punish the weakest member of the group; women punish the strongest", the support for girlfriends only occurs when they are in bad states.
There were also other illuminating passages, and also scary interview quotes from women who told their story, of how they and others behaved. In the end, the book was constructive in advising that the feelings are normal and can even brought to good use when directed in the right way (i.e. finding out what it is you truly want in life, then motivating you to work to get the life you want), and that cooperation between women is desirable and possible.
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After week two of TA tryouts, I'm getting to know Eric, the current dance director. Like D&D, he is from Montreal, speaks with a French accent, and likes to play to the camera. Unlike D&D, he's fairly laid back and big on praise. He also thinks it's a good idea that the men learn the women's steps and vice versa - something D&D never did approve (a "concentrate on perfecting what you need to know before working on extra stuff" method).
My body has forgotten enough technique that I need to relearn some things, and Eric goes about it in a different way. For rumba he suggests working on one layer at a time and they are:
1. Timing
2. Footwork
3. Leg Action
4. Hips
5. Ribcage
I have a lot to do. And, at the same time, I will work on dancing with the prom queen. I might lead her in little circles and circles (because I don't have the proper angles to lead), but still, I think I can learn to be better, and not trip along the way.
~ Lucy, from Susan Shapiro Barash's Tripping the Prom Queen: The Truth about Women and Rivalry
I had felt a little threatened. Here were a bunch of young, thin, pretty, and talented girls... and I was to compete with them to get a spot as a teaching assistant. I didn't deny that we were in competition, but I had fallen into one of the many traps outlined in _Tripping the Prom Queen_ - I was being competitive about things that had nothing to do with the thing that mattered - the ability to dance.
It seems almost shameful to admit to feelings of envy (the book defines it different from jealousy, in fact to say jealousy is being worse because it includes wanting to take the item of envy or do ill to another). The book has opened my eyes to what I had felt, when I had believed (consciously and unconscioulsy) three myths of female solidarity, as outlined by Barash:
1. The Mommy Mystique - Belief and expectation that girlfriends can provide unconditional love and support, rather than realistic "adult relationships" where there are "legitimate expressions of rivalry, competition, and difference."
2. The Twinning Syndrome - Expectation that girfriends live similar lives and make similar choices. And when "one woman changes her life path, overcomes a long-standing obstacle, or acheives a new goal... [the other] feels abandonned," or "deceived".
3. Foul-Weather Friends - Based on "the old cliche...: "Men punish the weakest member of the group; women punish the strongest", the support for girlfriends only occurs when they are in bad states.
There were also other illuminating passages, and also scary interview quotes from women who told their story, of how they and others behaved. In the end, the book was constructive in advising that the feelings are normal and can even brought to good use when directed in the right way (i.e. finding out what it is you truly want in life, then motivating you to work to get the life you want), and that cooperation between women is desirable and possible.
-------------------------------------------------------------------------------------
After week two of TA tryouts, I'm getting to know Eric, the current dance director. Like D&D, he is from Montreal, speaks with a French accent, and likes to play to the camera. Unlike D&D, he's fairly laid back and big on praise. He also thinks it's a good idea that the men learn the women's steps and vice versa - something D&D never did approve (a "concentrate on perfecting what you need to know before working on extra stuff" method).
My body has forgotten enough technique that I need to relearn some things, and Eric goes about it in a different way. For rumba he suggests working on one layer at a time and they are:
1. Timing
2. Footwork
3. Leg Action
4. Hips
5. Ribcage
I have a lot to do. And, at the same time, I will work on dancing with the prom queen. I might lead her in little circles and circles (because I don't have the proper angles to lead), but still, I think I can learn to be better, and not trip along the way.


































* A super big thankyou to Beth for arranging this trip and inviting me along, and to John for driving and bringing along a waterproof camera. 